Designer Techniques No. 18

The Fieseler Fi156 'Storch' 

by Martin Hursthouse - Summer 1999

 

Fieseler Fi 156 (Storch) Background

On April 25th 1945, Hanna Reitsch and General Ritter Von Greim flew into Berlin and landed on the East-West axis near the Brandenburg Gate, there being nowhere else to land. Von Greim, who had been summoned by Hitler to accept appointment as Goering's successor, had been wounded in the foot, and all hell was being let loose by the approaching Russian forces.  Hanna Reitsch flew and landed the aircraft amongst all the rubble and shelI-holes, and finally got Von Greim to the relative safety of the Fuhrer's bunker.  The aircraft flown by Hanna Reitsch on this amazing mission was a Fieseler Fi 156 Storch C-2.  This is only part of a fascinating story, which gave rise to the later (and false) rumour that Hanna Reitsch then flew Hitler out of Berlin.

The Model

The Fieseler Storch project came out of research for the Fw 190 (previous project) and also out of a conversation with Dave Camp about slope soaring when the lift is marginal.  I thought I could keep the structure of the Storch very Iight and use it as a 'floater', but the complexity of the structure has made it much heavier than planned.

This was the first model that I have built without drawing a plan before commencing work.  I used original scale drawings, my own photos, video and measurements, and began work.  All work is conventional built­up structure, initially covered in Litespan, hand painted and detailed with acrylics.  Problems were resolved as I came to them, and easement in scale dimensions was allowed to creep in as I saw fit.  The structure, however, is as true to the original as possible.  The canopy area is hugely complex, and my guess was that it wouldn't stand much knocking about.  (I found later that it would take much more than I expected.)  The undercarriage doesn't function either, but it looks right.

The paint finish and detailing is once again a challenge, but my great interest.  I have not yet found the supreme covering material which will take my mixed media technique, though I expect it will be some form of paper or fabric.  My excursion into Litespan seemed to be a breakthrough, but turned sour as even the slightest sunshine will slacken the film, making a mess of the whole thing.  I chose Litespan because it is so good to paint over, and every millimetre of the Storch is hand painted.  I have since stripped the whole structure and covered with tissue, dope and acrylic paints.  Tissue adds strength, it is great to paint on, it is cheap, and it looks scale.  But, it punctures so easily.  I have heard of a tissue which contains a fibre of kevlar (and is of course very strong).  But what is it?

 

Fieseler Fi 156 Storch details.

Length 52"

Span 82"

Chord 9/2"

Section RSG 29

Rudder, Elevator, Ailerons, Flaps and Slats (fixed).

All Up Weight 5lbs approx.  Loading 16ozs per sq.ft.

The prop is freewheeling and doesn't seem to add much drag

Does it fly?

The first flight took place in very light conditions and others present were not surprised that the Storch descended ungracefully to the bottom of the local slope, not really flying at all.  I was sure that Dave Camp was right when he recommended that the incidences be checked carefully.  I did later, and reluctantly, pulled apart the whole tail area and re-jigged the stabiliser/elevator assembly.  I must say it looked better when I had finished and I was quite optimistic when we went again to the slope the following Sunday.

A few rigging problems with the Storch delayed my launch until the breeze was increasing beyond comfort for me.  However, Dave Camp (Iaunchmaster general) gave me the heave and off she went.  The Storch went out from the slope about 30 feet and upward about the same distance.  Then it just stopped.  It stopped and sat there, almost buzzard fashion.  Folk were able to walk underneath and take photos of a stationary model in flight, a kite with no string(?).

Anyway, although this created a great deal of laughter and banter, it really wouldn't do, would it?  The model gradually descended and sat on the front edge of the slope.  The second attempt had a similar outcome, though the landing was a controlled crash really.

Some discussion followed, and I must admit that the slats had been a mystery to me.  They looked to me as though they could be acting as span­wide airbrakes.  So, without ceremony, I cut them off.  (All that painstaking work with the details-gone!)  By now the wind was no longer a breeze and it probably wasn't the right thing to do to try another launch, but we did.  Yes, the model just went up and away, trims all over the place, but it now flies like a Storch, slows down and lands like a Storch.  So there you are.  Don't use fixed slats without power; they work as brakes.

This project has probably been a `bridge too far' for accurate scale modelling, and maybe not a subject that I would recommend for PSS, unless your favourite time is spent in the workshop.  The `glasshouse' canopy area is complicated indeed, and it involves wing joiners, struts and undercarriage mechanisms, all in one, oh yes.. .

All my scale PSS projects have taken over 12 months to fulfill, and for me, it has to look absolutely right at the end of the process.  It also has to fly right!  After my earlier projects with Blackburn Firebrand and Fw 190, I began to feel that any subject will work if you are careful with tail weight etc.  Now, I'm not convinced that anything is possible, and in a way, that is good - the challenge is still there!

Martin Hursthouse.

 

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